365 Hours - 2019
       
     
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20230916_122218 (Large).jpg
       
     
Personal Color Spectrum - 1989
       
     
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Large Canvas 4 - 1991
       
     
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Simplified Map - 2005
       
     
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100. Detalle 07.jpg
       
     
Simplified Maps - 2005
       
     
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2020-3 - 2020
       
     
2020-3 - 2020
       
     
1.jpg
       
     
2020 - 2020-3.jpg
       
     
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Large Canvas 1 - 1988
       
     
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Project 183 - 2001
       
     
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Not In My Name - 202
       
     
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Second EMbroidery - 2016
       
     
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DSCF1428 (Custom).jpg
       
     
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365 Hours - 2019
       
     
365 Hours - 2019

“Every night during the year 2019 I had the following routine:

1. I counted seconds for one hour;

2. I registered a written map of the day;

3. I registered a full map of the day;

4. I registered the locator number for the day;

5. I registered a simplified map of the day.”

365 pieces (29.7x42cm each piece), pen on paper.

Picture: Ana Pigosso

© Copyright ANA AMORIM


230922-Millan-acervo-ph Ana Pigosso-042-AL.jpg
       
     
230825-Millan-Ana Amorim-vistas-ph Ana Pigosso-011-web (Large).jpg
       
     
230922-Millan-acervo-ph Ana Pigosso-043-AL.jpg
       
     
230922-Millan-acervo-ph Ana Pigosso-044-AL.jpg
       
     
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20230916_122218 (Large).jpg
       
     
Personal Color Spectrum - 1989
       
     
Personal Color Spectrum - 1989

This routine consisted in me looking for an object from my immediate surrounding, seeking to capture the color spectrum around me, as soon as I finished drawing my daily map. I stored the object inside a plastic sandwich bag and labeled it with the number of hours until the end of the year, number of days for the end of the year, my age and the number of the “Large Canvas 2” map for the day.

365 pieces, label, various objects inside 365 plastic sandwich bags (209x557cm in total)

Picture: Filipe Berndt

© Copyright ANA AMORIM

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Large Canvas 4 - 1991
       
     
Large Canvas 4 - 1991

Routine: I drew a map on a fabric strip in 2 colors, black for everyday routes and red for new routes. Then, I sewed a piece of fabric (clothe, linen, etc) to the work, cutout from my immediate surrounding. Lastly, I counted seconds for one hour, in my own time.

318 pieces, ballpoint pen and sewed cut out fabric on of strip of cloth (61x14cm each).

Picture: Filipe Berndt

© Copyright ANA AMORIM

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Simplified Map - 2005
       
     
Simplified Map - 2005

Simplified Map - 2005

These maps were registered every night in smaller segments on aged cardboard shipping labels.

During May 2005, I participated in the Agrarian Reform march in Brazil and for three weeks these maps are also the maps of fifteen thousand people.

365 pieces (total 206x280cm, ballpoint pen on beige aged cardboard shipping labels (16x7.8cm each).

© Copyright ANA AMORIM

07 Simplified Map.jpg
       
     
100. Detalle 07.jpg
       
     
Simplified Maps - 2005
       
     
Simplified Maps - 2005

These maps were registered every night in smaller segments on aged cardboard shipping labels.

During May 2005, I participated in the Agrarian Reform march in Brazil and for three weeks these maps are also the maps of fifteen thousand people.

365 pieces, ballpoint pen on beige aged cardboard shipping labels (16x7.8cm each).

© Copyright ANA AMORIM

Ana-Amorim-Contar-Rutinas-FCAYC-23.11.24-7.jpg
       
     
2020-3 - 2020
       
     
2020-3 - 2020

Routine: At the end of the day I drew my mental map for the day on a white linen tablecloth divided in 32 rectangles.

12 pieces, black ballpoint archival ink gel pen of white linen tablecloths (140X235cm each piece)

Picture: Ana Pigosso

© Copyright ANA AMORIM

2020-3 - 2020
       
     
2020-3 - 2020

Routine: At the end of the day I drew my mental map for the day on a white linen tablecloth divided in 32 rectangles.

12 pieces, black ballpoint archival ink gel pen of white linen tablecloths (140X235cm each piece)

Picture: Ana Pigosso

© Copyright ANA AMORIM

1.jpg
       
     
2020 - 2020-3.jpg
       
     
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Large Canvas 1 - 1988
       
     
Large Canvas 1 - 1988

The project consisted in transferring my mental maps from the 1988 Books into 366 canvasses (MFA thesis project).

366 pieces, acrylic on canvas (21.3x13.4cm each).

© Copyright ANA AMORIM

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03.jpg
       
     
Project 183 - 2001
       
     
Project 183 - 2001

Every night, I drew my metal map of the day on a black EVA board. The next morning, I cut out the EVA board around the lines of the map.

183 pieces, watercolor white pencil on cut out black EVA (approx. 20x14cm each).

© Copyright ANA AMORIM

DSCF1349 (Custom).jpg
       
     
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100. Detalle 05.jpg
       
     
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Not In My Name - 202
       
     
Not In My Name - 202

365 pieces. News media collage, text and drawings on labeled black cards.
(21.7 x 16.5 cm, each piece / 271.4 x 541.5 cm total installation)

Routine: I collected news daily from local, national and international press that did not represent me. After 9/11, and as a response to the US plan to attack Afghanistan, the parents of one of the victims of 9/11 came out on the streets with signs saying “Not in our son’s name”. Following that demonstration, there was a march in New York City where people carried the sign “Not in my name” and later in London there were marches where people carried the sign “Not in our name”. This work expands on these demonstrations from my personal point of view.

© Copyright ANA AMORIM

Ana-Amorim-Contar-Rutinas-FCAYC-23.11.24-10b.jpg
       
     
DSCF1400 (Custom).jpg
       
     
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Second EMbroidery - 2016
       
     
Second EMbroidery - 2016

Single piece. 366 maps, white mercerized cotton thread hand embroidered on black cotton cloth (approx. 210 x 310cm).

Embroidery of the "Continuous Map" project from 2016, on a single large cloth. These maps were drawn daily in a small book and later transferred to this black cloth and then embroidered. It took me approximately 2 years to finish embroidering the work.

© Copyright ANA AMORIM

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